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Drew Struzan (born March 1947) is an American artist. Struzan has painted album covers, advertising, collectibles, and book covers, but he is best known for his extensive movie poster work.
Popularly known by his signature first name on his work, Struzan is one of the industry’s most recognized talents, having provided artwork for over 150 movie posters, including many of the best-known films of all time. A particular favorite artist of film directors George Lucas and Steven Spielberg, Struzan created distinct and indelible images for many of their film releases, with Spielberg decreeing that Struzan be the only artist allowed to render the space-creature character E.T. the Extra-Terrestrial.
Spielberg says that Struzan is his “favorite movie artist”; Lucas has called him “the only collectible artist since World War II”; and the Boston Globe called him “the greatest poster artist of our day”.
Contents
1 Early years
2 Pacific Eye and Ear: album covers
3 Pencil Pushers: one-sheets
3.1 Star Wars: a big break
4 Talent in demand: ’70s & ’80s
5 The decline of traditional art: other outlets
6 Global awareness
7 Creative process
8 Interviews
9 Published collections
10 Awards
11 References
12 External links
//
Early years
A Portland, Oregon, native in a family of meager means, Struzan was born a child prodigy with the rare distinction of skill in art. As such, Struzan and his artwork were studied by researchers at Stanford University. Ironically, it would be many years later, in 1969, that Struzan’s parents would discover one of those early childhood works being offered for sale in a Los Angeles art gallery on Melrose Avenue, for thousands of dollars.
Although Struzan struggled with dyslexia as an eight-year-old, his South San Francisco elementary teacher discovered the reason for his inability to read, and he was held back one year by his mother in order to catch up.
In 1965, at age 18, he enrolled at the Art Center College of Design then located in West Los Angeles, California.
“The first thing the counselor asked me was ‘what do you want to major in,’ so I asked what the choices were.” He was informed that he had two choices: fine art or illustration. The counselor went on to describe the two careers, telling Struzan that as a fine artist he could paint what he wanted, but as an illustrator he could paint for money. It didn’t take him too long to choose his course of study. “I’ll be an illustrator,” he announced. “I need to eat.”
In his first year, Struzan met a pretty brunette named Dylan. She was personable and easygoing, and the artist was soon smitten with the young girl, finding a shared soul and recognizing her complementary qualities to his own awkward introvertedness. Three years later they would marry, and a son, Christian, would soon follow.
Working his way through school by selling his artwork and accepting small commissions, Struzan graduated five years later with honors and a Bachelor of Arts degree. He would also complete two years of graduate studies and eventually return to the school in later years (the campus relocated to Pasadena, California) to teach for a short time.
About his career, Struzan has said: “I was poor and hungry, and illustration was the shortest path to a slice of bread, as compared to a gallery showing. I had nothing as a child. I drew on toilet paper with pencils that was the only paper around. Probably why I love drawing so much today is because it was just all I had at the time.”
Pacific Eye and Ear: album covers
Alice Cooper: Welcome To My Nightmare, album cover art by Drew Struzan.
After graduating from college, Struzan remained in Los Angeles, and a trip to an employment agency found him a job as a staff artist for Pacific Eye and Ear, a design studio. There he began designing long-playing (LP) album covers, relishing the creative aspects the 12×12″ size the record packaging afforded him. Over the next 5 years, he would create album cover artwork for a long line of musical artists, including Tony Orlando and Dawn, The Beach Boys, Bee Gees, Roy Orbison, Black Sabbath, Glenn Miller, Iron Butterfly, Bach, Earth, Wind and Fire, and Liberace.
Among these, Struzan illustrated the album cover artwork for Alice Cooper’s Welcome to My Nightmare, which Rolling Stone magazine would go on to vote one of the “Top 100 Album Covers Of All Time”.
Despite the burgeoning demand for his talents, however, Struzan was still only earning $150 to $250 per album cover.
Pencil Pushers: one-sheets
Along with a friend with a background in the movie industry, Struzan started a small company, Pencil Pushers, in a collaboration that would last 8 years. It was during this time that he honed his distinctive one-sheet style and first became proficient in the use of the…(and so on)
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